![]() Tiffany designed beautiful lamps, typically having ornate art nouveau bronze bases and leaded glass shades with floral designs. Many of these depicted landscapes and scenes of flowers, trees, water and birds. He opened his own glass company in 1885 producing his glass tiles and the special glass for his great leaded windows and screens. Tiffany incorporated leaded glass features and glass tiles into his interior designs and developed special glass for this purpose, using the facilities at Heidt Glassworks in Brooklyn. He donated examples of his work to all the major museums, and if one of his vases stayed too long on retailers' shelves, he recalled it. Indeed, Tiffany himself took actions which kept the value of his glass pieces high. Even at the time it was made, Tiffany glass was expensive and remained the prerogative of the very rich. Prices have been increasing steadily since the 1960's. Today, of course, any piece of genuine Tiffany output is treasured and commands a relatively high price, and the museum-quality pieces reach astronomical figures at auction. In Tiffany's case these included most of his lamps and many small glass vessels. The outcome, as with his great contemporaries in Europe (notably Lalique and Galle) was a split output on the one hand the master's own genius-creations and on the other hand a large amount of "industrial" items made to his designs. Like others affected by this movement, he sought to combine his own artistic design talent with the hand-crafting skills of a production team of artisans supported by automated machinery. Tiffany was also influenced by the Arts and Crafts movement in Britain, with their beliefs in a return to hand crafting and their aim to make art more widely available. Two major influences were the art nouveau glass being produced in France by Galle and in Austria by Loetz and others and the ancient Roman and Egyptian glass which was being excavated from North Africa and the Middle East at that time. Tiffany was greatly influenced by the glass he saw on his travels to Europe. Starting his career as a talented painter in the late 1860's, he travelled extensively overseas and at the age of 31 (in 1879) moved into interior design from the mid-1880's onwards he moved more and more into specialising in glass. His flamboyant sumptuous lifestyle and family connections with the artistic world in Europe and America, coupled with his talent and dedication, took him to a leading position in the Art Nouveau movement. ![]() Louis Comfort Tiffany (1848-1933) was the creative genius son of a famous New York jeweller. ![]() ![]() In accordance with the rights conferred by current regulations on data protection, you may exercise the rights of Access, Rectification, Portability, Limitation, Deletion or, where appropriate, Opposition to the Treatment of your Data, as explained in the Legal Notice and Data Protection section on our website.Tiffany Glass information from the Glass Encyclopedia Tiffany Glass from the The legitimacy is derived from and based on the existence of a contractual relationship and legitimate interest and consent, according to each purpose and possible assignment. Real de Extremadura, 23, 12200, Onda (Castellón) will be responsible in order to process your registration request, perform statistical marketing analysis, and to make it possible, with your authorization, to periodically send you information of interest, keeping you informed via electronic commercial communications about our products and services, and providing information that may be relevant to you relating to the sector. In accordance with the provisions set by current regulations relating to the Protection of Personal Data, we inform you that the personal data you have provided will be incorporated into a file for which ONIX CERAMICA S.L., Avda.
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